Présence des signes

Manuella Éditions

13 x 18 cm
80 pages
Softcover

This essay by Eugénie Paultre focuses on the work of Etel Adnan and Simon Fattal. The format of the book is deliberately quite small in order to attribute the characteristics of an intimate drawing book to it. The cover paper, a Tintoretto Ceylan, was also chosen for this purpose. Full pages of works accentuate the appearance of the drawing notebook, creating the illusion of a change of paper when turning the pages.