This essay by Eugénie Paultre focuses on the work of Etel Adnan and Simon Fattal. The book’s deliberately small format is intended to evoke the qualities of an intimate drawing notebook. The cover paper, Tintoretto Ceylan, was also chosen to reinforce this effect. Full-page reproductions of the artworks enhance the feeling of a sketchbook, creating the illusion of changing paper as the pages are turned.

13 × 18 cm

80 pages

Softcover